Saturday, September 19, 2015
Network Science is the Ur-Science
(for now, that is)
Understanding of complex networks could help unify gravity and quantum mechanics
phys.org, Sep 2015
"What we can see is that space-time at the quantum-scale might be networked in a very similar way to things we are starting to understand very well like biological networks in cells, our brains and online social networks."
[personally, I always thought this was the case, but since I am not formally trained in any of these disciplines, I just could never find such suggestions...nonetheless, it is one of the great experiences in life to watch the story of Science unfold.]
Animals Are People Too
Everytime I see articles like this, I think to myself, not that maybe animals are just like people, but instead that the things we consider so special, and the things that 'make us human', are not so.
Social insights from whale chatter
BBC News, Sep 2015
[modified from article]
These great beasts live in very tight social networks, chatting amongst each other using a system of clicks like Morse code - patterns of three to 12 or 15 clicks that vary in rhythm and tempo
The researchers have shown how separate clans - perhaps numbering thousands of animals - will use their own particular subtle sequence of noises.
These vocalisations are not innate - they must be learned, and may indicate the whales are behaving in ways that at some level mirror the operation of human cultures.
"In one clan we call the 'regular clan', we heard regularly spaced clicks, but in another vocal clan that we call the 'plus-ones', the coda types they make have an extended pause at the end before the last click."
-PhD student MaurĂcio Cantor
Homeopathy Psychopathy Astrology Oh My
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| rebeccasarrge_flower_eater |
Can't make it up, folks!
Homeopathy conference ends in chaos after delegates take hallucinogenic drug - 29 men and women “staggering around, rolling in a meadow, talking gibberish and suffering severe cramps”
The Independent, Sep 2015
Trollers Gonna Troll
Patent trolls basically comb the internet looking for people who are committing (something akin to) copyright infringement, and then rat them out to the property owners, while suggesting that they use their own lawyers to take care of the suit right quick.
Needless to say, this is on a scale from pretty annoying to financially crippling for creative entities, and an obstacle to creativity in general.
Now a trolling company, Soverain, which has no discernible business beyond filing patent lawsuits (making them a legit trolling company) is suing their own lawyers after losing a case against some patents. Ah, the news.
Trolling company schooled by Newegg over “shopping cart” patent sues its own attorneys
Ars Technica, Sep 2015
Tuesday, September 8, 2015
In Honor of Christina Symanski
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| "Life Support", Christina Symanski, circa 2010 |
Her's a story that will make you stop thinking. To put one's self in the mind of Christina, and to make her final decision, is impossible.
Christina Symanski was a classmate. I was certainly inspired by her enthusiasm and dedication as a studying art teacher. Years later, when I discovered that she had become paralyzed, it hit me very hard. We had gone through the same program together, and had the same job. I don't know many other art teachers. Although the nature of any accident is that it can happen to anyone, something about it made me acutely aware that this could have been my story instead.
She continued to teach, paralyzed. Art. To be honest, I wasn't surprised at this. She was tenaciously dedicated to her work, and I always had this feeling that she was motivated by a force far beyond my ability to comprehend. Some people can stupefy you in that regard. Not to say that her valiancy wasn't any less potent, only that I had given up trying to understand such a person. What she did next was an act of the human spirit which no person can truly judge. I will not recount it in detail, only to say that she chose to end her life.
The legacy of Christina Symanski lives on in so many ways. But whenever I hear stories about robotic exoskeletons, I like to imagine that she is still with us, and that she is wearing one, and then what would she be doing with her life? It is from daydreams like this we draw our inspiration. And as such advancements build one upon another, and one hundred years from now when paralysis means something very different than it does today, then Christina's story will hold even more power. Forever an instructor, of art and life.
***
Two unborn babies' spines repaired in womb in UK surgery first
Oct 2018, BBC
Revolutionary spinal cord implant helps paralysed patients walk again
Oct 2018, The Guardian
In a study published in the New England Journal of Medicine, Angeli and colleagues report that they implanted an array of 16 electrodes in the lower back of four patients, paralysed after mountain bike or traffic accidents several years before. The device, originally developed many years ago for pain control, was placed below the site of injury, covering regions that send sensorimotor signals to the legs while a battery was implanted in the abdominal wall, allowing the frequency of the stimulation, its intensity and duration, to be tweaked wirelessly. Electrical activity produced by muscles in the legs was monitored during the sessions.
First paralyzed human treated with stem cells has now regained his upper body movement
Jan 2017, The Hearty Soul
A 39-year-old man who had had been completely paralyzed for four years was able to voluntarily control his leg muscles and take thousands of steps in a "robotic exoskeleton" device
Sep 2015
***
Foot and Mouth Painting Artists have been helping paralyzed artists make a living for themselves for over fifty years. Their artwork is a truly astonishing feat of the indomitable human spirit.
The book about Christina's life:
Life, Paralyzed
Friday, July 10, 2015
The Color Revolution
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| ReginaLee Blaszczyk, MIT Press 2012 |
Book Review by Allen Barkkume
This book is part of the
Smithsonian Institution’s Lemelson
Center Studies in
Invention and Innovation series
From the genesis of the modern color industry through the Byzantine conduits
of culture, The Color Revolution
presents color as a force to be reckoned with.
Wielding new powers, stunning new clientele, color undergoes a
renaissance at the turn of the 20th century. It is unleashed from
its crypt by new discoveries in chemistry, then standardized, codified, coordinated,
and disseminated to the public in every consumable form – clothes, cars, appliances,
architecture, and of course, the public education system. This book offers a
good look at how technological change ripples throughout a culture. Also, if
you’ve ever had a hunch that there are such things as “color forecasters” and
global color committees, you’ll now be well-informed.
Blaszczyk pulls open the first curtain on the Queen’s Lilac, the first
synthetic dye color (whereas today we would consider lilac a pale purple, at
this time it referred to a mauve/magenta). The Queen of England draped herself
in this emblem of modernity, and changed the color preference of an entire
population.
Chemist William Henry Perkin discovers the dye by mistake while trying
to synthesize quinine from coal tar. Many major discoveries were made at this
time, by accident, while trying to make things out of the newfound abundance of
coal waste. Benzene, for example, which can be seen as the emblem of all
organic chemistry, was finally synthesized by someone working with coal tar.
Aniline dye, synthesized from a waste product, showed what chemistry could do
for the bottom line of the fashion industry.
With the new synthetic dyes came a new taste for color, a demand for
vibrancy. And with this explosion came a need for understanding. The first
treatise on “the principles of color harmony” was published in 1854, breaking
the chromasphere down into Hue , Value, Chroma. The
standardization of color was prepared in Germany – the epicenter of the dye
market in the late 1800’s – to facilitate communication among manufacturers,
buyers, and designers. Soon, “color forecasting”, “color management”, and
“color engineering” became legitimate branches of this industry.
The public understanding of color came about as a competition between
two color theorists. Munsell and Prang pushed their own version of color
organization on the United
States ’ public education system, a major
market promising generous and sustained monetary returns to the winner. It was
at this time that the 6-part color wheel originates. All the while, as these two
entrepreneurial intellects fought for supremacy over the minds of America ’s young
photoreceptors, the field of color psychology was emerging. Statements like
“There is no color outside ourselves” (Prang), and “Color is in us – not outside” (Munsell) attempted
to bridge the divide between the practical and the scientific understanding of
color by way of a deeper understanding of ourselves.
Furthermore, this systematic organization of color, along with the
newly created Textile Color Color Association (TCCA) of the United States , allowed
unprecedented coordination between the various players in the fashion industry.
During WWI, France , the
Western seat of all things fashion, stopped sending their “silk cards” to the US , seriously
limiting design production. This spurred the creation of the TCCA, and a new
Standard Color Card of America that would provide “chromatic archetypes” for
the textile mills, garment makers, retailers – all parties. This monumental
coordination effort did have some bumps in the road.
Blaszczyk describes the struggle for standardization. The TCCA put a
general request via the New York Herald in 1919 asking for samples of battle
ship gray. Manufacturers were asked for samples of basic colors as they appear
in nature, in the form of jewels, minerals, flowers, fruits and metals. Upon
receiving these, the TCCA found 50 examples of navy blue. An expert committee
of textile industry veterans and major department store buyers contemplated and
recommended these color archetypes to the association directors, and in the
end, the Standard Color Card of America gave a “common language and a universal
tool” to the industry. This new common language of the Standard would go on to
symbolize American efficiency, as well as its fledgling independence from
French fashion.
In a fascinating diversion, Blaszczyk describes the discovery of the
science of camouflage. Nothing facilitates scientific discovery like the
real-world laboratory of the battlefield. The advent of aerial technology and
long-distance artillery changed the visual battlefield and demanded new
strategies. Combined with the new discoveries of color harmony and discord in
the fashion industry, war-minded individuals questioning whether this new
knowledge could lead to an advantage on the field found their answer in the
form of the camoufleur, a new kind of military strategist. “A camoufleur
combined a painter’s command of optical illusion with a naturalist’s
understanding of deceptive coloration.”
Just like many other wartime technologies, the principles and promise
of camouflage followed soldiers home and found its way into the life of the
general public. Theories of camouflage were used to transform the common home,
and a new kind of color – “functional color” was born.
From the fashion and printing/advertising industries to other consumer
products, like cars, color soon saturated the commercial landscape. This is
especially relevant to that paragon of American consumer culture, the
automobile. Once the automotive industry realized that using the right
color-designs could substantially increase profits, they began spending more
time and money researching color production and consumer color preferences.
Every ten days car dealers sent sales reports to provide feedback and enhance
the predictive power of “color futures”.
Nothing shows this tremendous research effort like the painting reproduced
in Chapter 5 where an American Duco colorist “reproduces” the color of French
silks – fresh from Paris !
Although the US
gained a good deal of independence from French fashion in the early 20th
century, it was still important to follow the trends. So important, in fact,
that the automobile industry sends an artist to Paris to paint a selection of
draped silk fabrics, and then send that painting back to the US where the
“color intel” could be used to inform color choices and combinations.
The incremental distancing of American color-culture from that of Europe is galvanized in Chapter 6. Blaszczyk titles the
chapter “Entente” to emphasize the partnership between both sides of the Atlantic , but does more to show-off the uniquely American
aspect of modern culture.
Although Blaszczyk points out the combining of American scientific
management with European tradition of craftsmanship, quality and style, it is
the cultural transformation taking place in America that makes the most impact.
Social psychologist mastermind Edward Bernays secretly promoted the green color
of Lucky Strikes packaging to be seen as more harmonious with women’s fashion.
Rayon looks better on film, and so Hollywood
almost unconsciously pushes the synthetic fabric’s popularity. America becomes
a distinct and formidable cultural entity, creating its own expectations and demands.
Distinctly American things revolving around the American artworld,
urban renewal, and ‘functional color’ (for industrial safety and communication)
are the drivers of change. In these interim chapters, Blaszczyk reaches far and
beyond “the industry” to the arts, architecture, and society at large – which,
after all, is the source of any revolution.
In regards to manufacturing, it’s interesting to note that colorists
were required for matching all the different parts of a telephone (rubber
cords, metal dials, plastic bodies), for example, because all the different materials
involved take their color differently.
Of all industries most integral to the color revolution, none were so
pervasive, or as quintessentially American, as that of the automobile industry.
Colorists, chemists, and automotive stylists advanced companies like DuPont to
create new pigments, lacquers, and enamels. In the world of Fordist production,
or Levittown houses, where every unit looks
the same, you sell the color of the product, not the product itself.
But as regional tastes, lingering biases, and socio-economic
differences all contributed to the weakening of sales (or the inevitable
inability of color forecasters to keep-up with the complexity of “culture”). In
concluding, I’ll quote Blaszczyk:
“The color expansion of the postwar years was evidence of the
extravagances of a growth economy and the maturation of American consumer
society. […] By the last quarter of the 20th century, more Americans
than ever before had dishwashers, phones and cars, but they were available in
fewer colors.
*An overarching lesson of this book is that as for the color world, it
was figured out very early on, and continues to this day, that if there is an
industry where women hold the most valued opinions and preferences, it is that
of Big Color.
Labels:
art,
book reviews,
color,
industry,
science,
sociocultural dynamics
Scientific Babel: How Science Was Done Before and After Global English
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| Michael D. Gordin, |
Scientific Babel: How Science Was Done Before and After Global English does everything you wanted to. Michael Gordon charts the map of scientific language from consolidation of the triumvirate – English, French, German – in the 1850’s, to the forecasted future. Everywhere in between is strung together by multilingual transactions of scientists in pursuit of universal truth and entire populations at the whim of geopolitical dynamics.
Perhaps we should begin with the lamentations of the French
linguist Louis Coturat, near the end of the 19th century, as he pits
the most sufficiently advanced technology against this ageless, human problem
of communication:
“What is the good of telegraphing from one continent to
another, or telephoning from one country to another, if the two correspondents
do not have a common language in which they can converse?”
And on the plight of the scientist? “To keep themselves
acquainted with the special scientific work and studies which interested them,
all savants would have to be polyglots; but to become polyglots they would have
to abandon every other study, and therefore they would be almost destitute of
knowledge of their special subjects.” (p107).
Science must have a means of transporting itself from one scientist
to another, and with this, Gordon defines the vehicular language, or the auxiliary
language. In opposition, people – both ordinary people and scientists alike – best
express their own thoughts in a way that is comfortable and meaningful to them,
a natural language. One is for the
mind, and the other for the heart (p113). These are the forces that push language-choice
throughout history. From Latin roots to warring 20th century fragments, the
chosen language of science has shifted dramatically over this time. In the
final chapter and conclusion, Gordin explains this trend toward Global English and
questions its implications.
Language is a very fluid thing, and to tell the history of
language requires tremendous orchestration of not only dates, events, and
people, but knowledge from other subjects as well. In this book, that subject
is Science itself. The body of scientific knowledge is immense, to say the
least, but this story centers mostly on Chemistry as the discipline of study.
During the most critical period of the monolingual formation that took place
within the 20th century, organic chemistry was full-steam-ahead the most
popular branch of science at the time. But furthermore, “Chemistry is the
science of description, taxonomy, and nomenclature as much as it is about test
tubes, pipettes, and Bunsen Burners.” (21).
Chemistry was the most dominant branch of study at the time
when the triumvirate of German-English-French was the most common language
choice. In fact, Gordin begins his story by retelling the standardization of
the Periodic Table of Elements as a nationalist competition between Germany and Russia , with a little bit of
translator’s error thrown in. (Gordin later reminds us, via H. Beam Piper’s
1957 sci-fi story Omnilingual –
That’s the Periodic Table; It’s the
only one there is.)
Russian and Japanese became very important during the second
half of the century, and so the subject moves to mathematics and nuclear
physics. But by then, machine translation enters the scene and redistributes
the priorities of all players. By the 21st century, the global language for
scientific communication is Global English.
Not only is the study of language a meta-logic activity in
that the language is just as much about speakers and subject matter as it is
about the words themselves, but the language of Science?... double meta-(!). Gordin reminds us that
"scientific utterances are a kind of ‘meta-language’ that are only
partially expressed in any individual tongue but are equally true in all of
them." (p11). And Science, as it is presented here, is seen in its
true light: A thing that ought to be very clear and forthright is instead
obfuscated by the floating lexicon of a multilingual system of communication.
In the search for a universal language of communication to
match the universal truth of science, one should immediately ask – why not
Latin? And with good reason; Latin was, until Global English, the most
universal language in the Western world. Perhaps the most mnemonically useful
bit used by Gordin to explain why not
Latin is this: “Classical Latin has no present or past participle of the verb ‘to
be’, which makes rendering medieval metaphysics rather dicey.” (p34). It seems
somewhat counterintuitive, as one scientist notes, since Latin was already dead
and no longer subject to change. Nonetheless, Latin was simply no longer usable
as an auxiliary language because it was so
far removed from living speakers' natural
tongues.
The language problem in science has always existed, but it
was not until the Chemical Revolution of the mid 1800’s that it became a huge
obstacle in the pursuit of knowledge. The introduction of the aromatic ring-structure
theory of organic chemistry brought thousands of new compounds. The subsequent
fledgling industries of pharmaceuticals and artificial dyestuffs required a
consistent nomenclature for these new chemicals. Furthermore, the language of
chemistry is a language of formulas,
and as such, translation is difficult.
For the duration of the 20th century, Science sought a
balance between a language that everyone could both agree upon and understand.
Considering the tumult of 20th century geopolitics, consensus in this area was
not easily obtained. Language is a symbol of a people, a nation, a way of life.
At a time when such things were threatened in their very existence, one can
imagine the embedded contention when deciding which language would win.
As a side note, because this isn't expounded too much in the book, Gordin does point out that Chemical nomenclature, despite its multi-lingual origins, did tend towards a convergence of syntax. The lexicon may have differed, but the linguistic formula of science rose above semantics. This is one of the points that makes this book so interesting – science really is a language to itself.
Back to the core of the story. As the standardized International
Union of Pure and Applied Chemistry (IUPAC) eventually makes clear, Chemical
nomenclatures are ultimately artificial. That is to say, they do not grow
organically from the mouths of entire populations over generations, but instead
flow from the minds of a concentrated few, and from painstakingly organized
conferences. And with this, it seems less surprising that whole languages had
been constructed from scratch to facilitate communication amongst all parties.
Esperanto is the most well known of these constructed languages but it's not
the only one, and its life is not as simple nor as ill-fated as one might
expect. (There still exist today native speakers of Esperanto.)
As Gordin explains, an entirely artificial language is not as outlandish as it first seems. In fact, he reminds us that “scientific languages have to be quite consciously constructed [because] modern science focuses upon novelty: new objects in the world, new ideas, new theories.” (p81). The discovery of a never-before-known chemical element needs to be named, and anew.
Again, writing a book about the “language” of an ostensible
meta-language (Science) is not without its self-reflective humor. This book is laden
with correspondence between scientists, and it shouldn't be lost on the reader
that so much of this correspondence is itself prefaced by the reasons for the
writer’s use of the chosen language of correspondence – “I wanted to write you
in Russian, however...,” or concluded with apologies for fumbling with an
unfamiliar tongue (p88).
Take also the vociferous and intricate debates over the
grammar and lexicon of artificially-created languages, all undertaken itself in
a bevy of languages. It's enough to make your head spin, so if that's what you
expected when you saw this title, you'll be satisfied.
The story marches onward, although with the advent of computerized
machine translation, one would assume the problem solved. However due to the “hype
cycle” of new technologies, the promises of mind-machine melding did not fully deliver.
That, combined with the debilitating paranoia of the Cold War, forced the dream
of computerized super-lingual omniscience to get a reality-check.
Gordin also details the effects of the sheer volume of
writing. By the mid 1900’s the scientific publishing industry resorted to
compiling “abstract journals” where “each month a hefty tome would arrive at an
office in the US, be ripped apart, distributed, translated, edited, stitched
back together, and printed, all within 6 months – and this was done for dozens
of journals, every month, for decades.” (p258). In the end, Global English
didn’t win because it was the best-suited to scientific inquiry and discourse;
it just happened to be the natural language of the largest publishing and
distribution infrastructure on the planet.
Low and behold, we find ourselves in a new century, and with
a new solution to the ageless problem. The last chapter and the conclusion,
“Anglophonia” and “Babel Beyond,” can stand by themselves. Granted, the corpus
of research planted before this gives the authority under which it is read, but
honestly, I would have paid the price of the book for these two chapters, and
since I already am, I’ll continue in a rambling fashion.
Why English? Besides the emergent behavior of the scientific
publishing industry, Gordin reminds us that “the perception of neutrality has
been the engine enabling English omnipresence in international science” (p295).
On a side note, he questions why the inconsistency in English spelling isn’t
brought up more often as a problem in scientific English – and finishes the
thought by suggesting “probably because the lexicon is so circumscribed for
each sub-discipline.” (p296). He reminds us that even as late as 1947, there
were people anticipating the continuation of the triumvirate. He throws this
one at you – “There are more words in English dedicated to the various sciences
than for any other function… There are also more scientific words in English that
have at least partly Ancient Greek roots than there are words in Ancient Greek.”
(p299). And then he sums it up:
English has attained its current position owing to a series
of historical transformations that it also in turn shaped, exploiting a
perception of neutrality that it gained through being distinctly non-neutral in
either its British or American guise. p315
Then he really lets loose. In “Babel Beyond,” he drops an
entire short sci-fi story, and then goes on to explain how SETI is an extension
of this line of thought resounding in the book – it’s a decision about language
(albeit alien language). And in case you were wondering – the language of
interstellar discourse? Mathematics, obviously.
This book is a well-documented body of research, but the way
it’s been assembled, and the underlying theme are intriguing, stimulating, and
current. Science is like humans – messy. It takes a good writer to clean it up
just enough to be presentable, but not enough that it’s no longer exciting.
Michael Gordin has done just that.
Labels:
book reviews,
convergence,
language,
science,
sociocultural dynamics
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