Tuesday, December 4, 2012

On Hindsight and Blindness

aka Greta Garbo Lips:

Hans Meegeren, Forger Extraordinaire, ~1930's

note: Hans VanMeegeren is perhaps the world's most well-known forger of fine art. In the ~1930's, he tricked everyone into thinking his paintings were those of 1600's Dutch master, Johannes Vermeer. By the ~1980-s, critics looked at his work with confusion:

Christ and the Woman Taken in Adultery
Hans Van Meegeren forging Johannes Vermeer, 1942
"How could people believe these things were painted in the 1600's, all the faces have Greta Garbo's lips; it's so obvious!"
Greta Garbo, ~1930's

Regarding the subjective ‘reading’ of the work/artist to be forged:
“It has often been pointed out forgeries which looked entirely convincing when they were made reveal an obvious deficiency to the eyes of a later generation. This is so because a forger unintentionally supplies the work of the past with the qualities he and his peer s [unconsciously] see in them”. (1)

Maybe it was "Greta Garbo Eyes"...?

“There is one time-related art historical principle that VanMeegeren could not account for or combat – namely, the fact that works of art often bear the stamp, the characteristics of their own era. [Because of these tendencies for contemporary features to creep into forgeries] the style of VanMeegeren’s paintings is like that of Vermeer only superficially. The important resemblances to such Symbolist artists as Toorop are much more important. Characteristics that mark an era may be those that are most universally appreciated at that time. They seem also to be the qualities that become “dated” most quickly. The generation for which these qualities are in fashion tends to be blind to them, but to the next generation they may become painfully evident. This is certainly true of the VanMeegerens. What was lauded in the 1930’s looks superficial and thin in the 1980’s. No doubt we are as blind to the telltale appearance of our own taste and fashions in contemporary forgeries.” (2)

-1. Rudolph Arnheim, “On Duplication”, pp232-245
-2. Hope B. Werness, “Han VanMeegeren fecit” pp1-57
in The Forger’s Art: Forgery and the Philosophy of Art
Denis Dutton, ed.
Berkeley, 1983 

Partially-related internet article:

Greta Garbo Lips

“A mouth drawn outwards with square edges emphasizes the stern, perfectionist appearance of the sober 30’s. Women, having witnessed the financial battery of the Great Depression, are thrifty and austere. Greta Garbo and Marlene Dietrich – powerful, yet glamorous women who are not afraid to determine their own fate – are idols of the time. Their steely and androgynous appearance personifies the adult woman. Lip color is a silky/glossy reddish brown.”

Lipstick Trends Through The Decades
August 4, 2009 
Sarah Howard, Beauty Banter

Monday, December 3, 2012

Forever Alone

nice try blue

“When a great poet has lived, certain things have been done once and for all and cannot be achieved again.”
-T.S.Eliot, Notes Towards the Definition of Culture, 1949, p118

Sunday, December 2, 2012

The Big Heap, Time and Network Configuration

recursive painting

As Lee Smolin tries to ask us, to ask ourselves, if, for interpreting quantum cosmological theory, there may be available a language that does not presume that time and change have meaning, he conjures Julian Barbour, who argues that clock-time cannot work in a quantum theory of gravity.

Julian Barbour's Big Heap:
Time has no fundamental meaning at all.

The universe is a great collection of moments, each one a snapshot of the universe, a simple configuration of things. This collection of all moments is The Heap.

The Heap contains a great many moments, but there is no sense in which the different moments can be ordered in time. They simply just are.

The quantum state of the universe serves only one function, which is to give the probability that any given moment may be found in this collection.

All physical laws reduce to one question: A godlike being reaches into the heap and pulls out a moment. What is the probability that such a randomly selected moment will have some particular characteristic? To describe this, we need no notion of time or change. Nothing is changing in time because there is no time - the whole heap just is.

Each moment is structured as to give us the impression that other moments also exist. We have memories as evidence that can only mean that other moments must have happened in the past, like "time capsules" (Barbour) - aspects of the configuration of a moment that speak to us of other moments.

Lee Smolin, The Life of the Cosmos, 1997, Oxford (p289)

Despite my paraphrasing, the words structure and configuration are used by Smolin, and hence, they do make us think about a big heap of things, or nodes, connecting to each other - a network. 

Filaments of Creation
Tom Theuns  /  Max Planck Institute for Astrophysics, 2010
In this computer model of the early universe, gravity arranges matter in thin filaments.

ON GRAVITY:
since we're talking about quantum cosmology

In his book, Bursts, A.L. Barabasi forces us to re-imagine time. It is not made of regular intervals; that is to say, people do not ‘do things’ at regular intervals. Instead, people do lots of things in short bursts of time, and then go for long durations doing nothing at all.

Our use of/working with social computational dynamics is forcing us to fine-tune the resolution of our time structures, revealing something akin to Einsteinian space. Some kind of strange gravity draws near to it (timewise) the bulk of our activities.

Muhammad ibn Musa al-Khwarizmi
aka Algo Rhythm
aka The Dimensional Liberator

ASIDE:
In logic, the time that an algorithm requires to complete cannot be measured, as it is not apparently related with our customary physical dimension.
(via wiki:Algorithm)

A.L. Barabasi, Bursts, 2010
A Bit on Networks
Bursts

(Another Aside)
...in a world of increasingly pervasive surveillance, location and identity are becoming all but inextricable:

New surveillance technology can track everyone in an area for several hours at a time
The Washington Post, Feb 2014


Bursts


partially unrelated internet image

9.5% of words make up 90.5% of Reuters news by word count."The Pareto Principle",
Network Science, Jerome Kunegis, 2012-02-07

Poisson distributions display exponential decay, whereas Pareto distributions, or power laws, display a long-tail, with lots of activity in a short period of time, followed by long times of no activity. Barabasi's Bursts are a reference to the latter, upon study of the patterns of human activity.

Consider also, that the computer has aided the magnified temporal resolution of human activity frequency, thus forcing us to see ourselves as such.

A.L. Barabasi, Bursts, 2010
A Bit on Networks
The Big Heap, Time and Network Configuration


ZIPF
...if "the" is the most popular word in any random text, and it shows up a number of 1,000 times, then "of" (the second-most popular word) would show up 500 times...
 Zipf's law states that given some corpus of natural language utterances, the frequency of any word is inversely proportional to its rank in the frequency table. Thus the most frequent word will occur approximately twice as often as the second most frequent word, three times as often as the third most frequent word, etc.

For example, in the The Brown University Standard Corpus of Present-Day American English, the word "the" is the most frequently occurring word, and by itself accounts for nearly 7% of all word occurrences (69,971 out of slightly over 1 million). True to Zipf's Law, the second-place word "of" accounts for slightly over 3.5% of words (36,411 occurrences), followed by "and" (28,852). Only 135 vocabulary items are needed to account for half the Brown Corpus.

The same relationship occurs in many other rankings unrelated to language, such as the population ranks of cities in various countries, corporation sizes, income rankings, and so on.
http://en.wikipedia.org/wiki/Zipf's_law

*Zipf's law is referenced in Science Fiction author Robert J. Sawyer's www.wake, when the main character is searching for intelligent life on the web.
http://en.wikipedia.org/wiki/Wake_(Robert_J._Sawyer_novel)

Saturday, December 1, 2012

Time Perception Disorder


Cary Wolinsky-Aurora-Getty Images

The following clip retells a very simple experiment that shows us just how easy it is to induce time perception disorder in normal people:

Back in 2006, David Eagleman and his team conducted an experiment in which subjects were simply asked to press a button. Doing so would instantly cause a nearby light bulb to blink. The researchers then added a slight tenth of a second delay between the press of the button and the light coming on and asked subjects to continue pressing the button. For the grand finale, the researchers removed the delay and watched as something completely perplexing happened. The subjects, utterly flabbergasted, insisted that the light would come on before they even pressed the button!


-posted by Ross Pomeroy at Thu, 30 Aug 2012

"Why Do Schozophrenics Hear Voices", Real Clear Science


Thursday, November 29, 2012

A Bit On Networks

Networks are made of nodes and links. If taking Facebook for example, people are the nodes, and their friendships are the links. Some people have lots of links to other people, some not so much. All together, the number of people who use Facebook is the size of the network, and the connections between them is the density of the network. If every person, on average, has 150 friends, then the network density is 150.

RSA Animate - The Power of Networks - 2012
The TREE of life has become the WEB of life
watch this animated talk
^Manuel Lima, senior UX design lead at Microsoft Bing, explores the power of network visualisation to help navigate our complex modern world.
full talk: RSA

Human brain, internet, and cosmology: Similar laws at work?
November 20, 2012 by Jan Zverina

micro/macro
The structure of the universe and the laws that govern its growth may be more similar than previously thought to the structure and growth of the human brain and other complex networks, such as the Internet or a social network of trust relationships between people, ...

By performing complex supercomputer simulations of the universe and using a variety of other calculations, researchers have now proven that the causal network representing the large-scale structure of space and time in our accelerating universe is a graph that shows remarkable similarity to many complex networks such as the Internet, social, or even biological networks.

"These findings have key implications for both network science and cosmology," noted Krioukov. "We discovered that the large-scale growth dynamics of complex networks and causal networks are asymptotically (at large times) the same, explaining the structural similarity between these networks."

"This is a perfect example of interdisciplinary research combining math, physics, and computer science in totally unexpected ways," said SDSC (San Diego Supercomputer Center) Director Michael Norman. "Who would have guessed that the emergence of our universe's four-dimensional spacetime from the quantum vacuum would have anything to do with the growth of the Internet? Causality is at the heart of both, so perhaps the similarity Krioukov and his collaborators found is to be expected."
http://phys.org/news/2012-11-human-brain-internet-cosmology-similar.html

^ Network Cosmology
Dmitri Krioukov, et. al.
Scientific Reports 2, Article number: 793
Published 16 November 2012
http://www.nature.com/srep/2012/121113/srep00793/full/srep00793.html

World’s Subways Converging on Ideal Form
Brandon Keim - May 15, 2012
modified article:

City subway systems converge on a ratio for the number of stations on branch lines to the number in city cores.
Image: Roth et al./JRSI
After decades of urban evolution:

In a May 15 Journal of the Royal Society Interface paper, Barthelemy and NCSR complex systems analyst Camille Roth focused a network analysis lens on city subways...

On the surface, these core-and-branch systems — evident in New York City, Tokyo, London or most any large metropolitan subway — may seem intuitively optimal. But in the absence of top-down central planning, their movement over decades toward a common mathematical space may hint at universal principles of human self-organization.

With equations used to study two-dimensional spatial networks, the class of network to which subways belong, the researchers turned stations and lines to a mathematics of nodes and branches.

Patterns emerged: Roughly half the stations in any subway will be found on its outer branches rather than the core. The distance from a city’s center to its farthest terminus station is twice the diameter of the subway system’s core. This happens again and again.

“Many other shapes could be expected, such as a regular lattice,” said Barthelemy. “What we find surprising is that all these different cities, on different continents, with different histories and geographical constraints, lead finally to the same structure.”

Subway systems seem to gravitate towards these ratios organically, through a combination of planning, expedience, circumstance and socioeconomic fluctuation, say the researchers.

The convergence “is a sign that there are some basic, profound mechanisms that drive the development of urban systems,” said Barthelemy.
http://www.wired.com/wiredscience/2012/05/subway-convergence/

^ A long-time limit for world subway networks
Camille Roth, Soong Moon Kang, Michael Batty and Marc Barthelemy
Proceedings of the Royal Society Interface, 15 May 2012
http://rsif.royalsocietypublishing.org/content/9/75/2540


THE NETWORK VISUALIZED ---
The Network Visualized, Michael Rigley, 2012
Information technology has become a ubiquitous presence. By visualizing the processes that underlie our interactions with this technology we can trace what happens to the information we feed into the network. Beautiful and sinister in equal measure.
http://blog.imaginaryfoundation.com/2012/01/23/the-network-visualized/

Post Script:
The Mathematical Shape of Things to Come
Jennifer Ouellette, Quanta Magazine
October 4, 2013
Scientific data sets are becoming more dynamic, requiring new mathematical techniques on par with the invention of calculus.

Networks Reveal the Connections of Disease
Veronique Greenwood, Quanta, 2015 Jan 29
Enormous databases of medical records have begun to reveal the hidden biological missteps that make us sick.


Wednesday, November 28, 2012

The Artist

Painting, by Alex Grey

People say that good artists are ahead of their time. In fact, it is the people who are behind, seeing life through the lens of culture and the thoughts of others. The artist lives in a world beyond culture, beyond reason, where there is no black and white, and where the foundation upon which we stand is but an illusion, like the third dimension represented in two-dimensional space.

Artists don’t think, in the way that most would consider thought. Instead, they are immersed in a maelstrom of ideas and sensations that make no sense, like a dream, or a babbling baby.